[Technical Data]

DESCRIPTION

KODAK ROYAL GOLD 100 Film introduces 35 mm to the state-of-the-art technology of KODAK ADVANTIX Films. It offers outstanding flesh-tone and color reproduction, and is excellent for enlargements. This film is balanced for exposure with daylight or electronic flash. You can also obtain pleasing results under existing light sources without filters.

ROYAL GOLD 100 Film is a member of the "Select Series" of Kodak films. The Select Series offers serious snapshooters and photo enthusiasts the widest selection of high-performance films. Choose from KODACHROME or KODAK ELITE Chrome Films for slides, or KODAK ROYAL GOLD for prints.


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FEATURES AND BENEFITS

FEATURES BENEFITS

  • Extremely high sharpness and micro-fine grain
  • Kodak's finest grain 100-speed color negative film
  • Extremely high image quality to get the most from today's sharp lenses
  • Image-structure characteristics allow a very high degree of enlargement

  • Wide exposure latitude
  • Good prints from negatives exposed at speeds from ISO 12 to ISO 400

  • Designed for processing in KODAK FLEXICOLOR Chemicals for Process C-41
  • Can be processed by any photofinisher along with other KODAK GOLD and ROYAL GOLD Films

DARKROOM RECOMMENDATIONS

Do not use a safelight. Handle unprocessed film in total darkness.


STORAGE AND HANDLING

Load and unload film in subdued light.

Store unexposed film at 70°F (21°C) or lower in the original sealed package. Always store film (exposed or unexposed) in a cool, dry place. Process film as soon as possible after exposure.

Protect negatives from strong light, and store them in a cool, dry place. For more information on storing negatives, see KODAK Publication No. E-30, Storage and Care of KODAK Photographic Materials--Before and After Processing.


EXPOSURE

Film Speed

Use the speed numbers in the table below with cameras or meters marked for ISO, ASA, or DIN speeds or exposure indexes. Do not change the ISO-speed setting when metering through a filter.

Light Source KODAK WRATTEN Gelatin Filter* ISO Speed
Daylight or Electronic Flash None 100/21°
Photolamp (3400 K) No. 80B 32/16°
Tungsten (3200 K) No. 80A 25/15°

* For best results without special printing.

Daylight

Use the exposures in the table below for average frontlit subjects from 2 hours after sunrise to 2 hours before sunset.

Lighting Conditions Shutter Speed
(second)
Lens
Opening
Bright or Hazy Sun on Light Sand or Snow 1/125 f/16
Bright or Hazy Sun (Distinct Shadows) 1/125 f/11*
Weak, Hazy Sun (Soft Shadows) 1/125 f/8
Cloudy Bright (No Shadows) 1/125 f/5.6
Heavy Overcast or Open Shade** 1/125 f/4

* Use f/5.6 for backlit close-up subjects.
** Subject shaded from the sun but lighted by a large area of clear sky.

Electronic Flash

Use the guide number in the following table as a starting point for your equipment. Select the unit output closest to the number given by your flash manufacturer. Then find the guide number for feet or metres.

To determine the lens opening, divide the guide number by the flash-to-subject distance. If negatives are consistently too dense (overexposed), use a higher guide number; if they are too thin (underexposed), use a lower number.

Unit Output
(BCPS)*
Guide Number
For Distances in Feet / Metres
350 40 / 12
500 50 / 15
700 60 / 18
1000 70 / 21
1400 85 / 26
2000 100 / 30
2800 120 / 36
4000 140 / 42
5600 170 / 50
8000 200 / 60

* BCPS= beam candlepower seconds

Adjustments for Long and Short Exposures

No filter correction or exposure compensation is required for exposures from 1/10,000 second to 10 seconds.


PROCESSING

Process KODAK ROYAL GOLD 100 Film in KODAK FLEXICOLOR Chemicals for Process C-41. For more information, see KODAK Publication No. Z-131, Using KODAK FLEXICOLOR Chemicals.


IMAGE STRUCTURE

Sharpness: Extremely High
Degree of Enlargement: Extremely High
Print Grain Index: 28

Print Grain Index

The Print Grain Index number refers to a method of defining graininess in a print made with diffuse-printing illumination. It replaces rms granularity and has a different scale which cannot be compared to rms granularity.

  • This method uses a uniform perceptual scale, with a change of four units equaling a just noticeable difference in graininess to 90 percent of observers.
  • A Print Grain Index rating of 25 on the scale represents the approximate visual threshold for graininess. A higher number indicates an increase in the amount of graininess observed.
  • The standardized inspection (print-to-viewer) distance for all print sizes is 14 inches, the typical viewing distance for a 4 x 6-inch print.
  • In practice, larger prints will likely be viewed from distances greater than 14 inches, which reduces apparent graininess.
  • Print Grain Index numbers may not represent graininess observed from more specular printing illuminants, such as condenser enlargers.

The Print Grain Index number printed in this publication applies to the following standards:

Negative size: 24 x 36 mm (135 size)
Print size: 4 x 6 inches
Magnification: 4.4X

JUDGING NEGATIVE EXPOSURE

You can check the exposure level with a suitable electronic densitometer equipped with a filter such as a KODAK WRATTEN Gelatin Filter No. 92 or the red filter for Status M densitometry. Depending on the subject and the light source used for exposure, a normally exposed and processed color negative measured through the red filter should have the approximate densities listed below.

Area Measured Density Reading
The KODAK Gray Card (gray side), receiving the same
illumination as the subject

0.80 to 1.00

The lightest step (darkest in negative) of a KODAK Paper Gray Scale receiving the same illumination as the subject

1.20 to 1.40

The highest diffuse density on a normally lighted forehead:
     --light complexion
     --dark complexion


1.05 to 1.35
0.90 to 1.25

Because of the extreme range in skin color, use these red density values for a normally lighted forehead only as a guide. For best results, use a KODAK Gray Card (gray side).


PRINTING NEGATIVES

You can make color prints from negatives by enlarging them on KODAK EKTACOLOR Papers or KODAK DURAFLEX® RA Print Material.

Make color transparencies by direct exposure onto KODAK VERICOLOR Print Film, KODAK VERICOLOR Slide Film, or KODAK DURATRANS® RA or KODAK DURACLEARTM RA Display Material.

Make black-and-white prints on KODAK PANALURE Papers for conventional black-and-white processing, or KODAK EKTAMAX RA Professional Papers for Process RA-4.

Note: The Kodak materials described in this publication for use with KODAK ROYAL GOLD 100 Film are available from dealers who supply Kodak products. You can use other materials, but you may not obtain similar results.

Kodak, Advantix, Flexicolor, Vericolor, Kodachrome, Gold, Royal Gold, Elite, Wratten, Ektacolor, Duraflex, Duratrans, Duraclear, Panalure, and Ektamax are trademarks.


AT-A-GLANCE FILM SELECTOR

KODAK Select
Series Film
Film Speed Exposure Lighting
Conditions
Grain Sharpness Process
For Color Prints
ROYAL GOLD 100 ISO 100 Daylight or
Electronic Flash
Bright or hazy sun
Enlargements
Micro-fine Extremely High C-41
ROYAL GOLD 200 ISO 200 Weak or hazy sun
Enlargements
Very fine Extremely High C-41
ROYAL GOLD 400 ISO 400 Cloudy Bright, Indoors, Low Light Very fine Very High C-41
ROYAL GOLD 1000 ISO 1000 Low light, Indoors, Fast action Moderate High C-41