Technical Information [KODAK ROYAL GOLD 400 Film]

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Contents

Description

KODAK ROYAL GOLD 400 Film is the world's finest grain 400-speed color print film. It provides a unique balance of fine grain, sharpness, color reproduction, and contrast to yield results with excellent clarity and enlargement capability. This multi-purpose film is designed for exposure with daylight or electronic flash. You can also obtain pleasing results under most existing-light sources without filters.

ROYAL GOLD 400 Film is a member of the "Select Series" of Kodak films. The Select Series offers serious snapshooters and photo enthusiasts the widest selection of high-performance films. Choose from KODAK ROYAL GOLD Films for prints, or KODACHROME or KODAK ELITE Chrome Films for slides.

FEATURES

BENEFITS

  • Very fine grain, unprecedented among 400-speed color films
  • Pictures that are very clear
  • Improved enlargements
  • Excellent sharpness
  • Improved picture detail
  • Pictures very clear, crisp
  • Great enlargements
  • ISO 400 speed[a]
  • Better pictures in a wider range of light conditions
  • Fewer underexposed pictures
  • Sharper pictures with moving objects
  • Longer flash range for better flash pictures over greater distances
  • Reduced impact of "camera shake"
  • Better pictures from zoom cameras
  • Excellent color reproduction, improved color consistency
  • Bright, vibrant prints
  • Improved color consistency across a wider range of picture-taking situations
  • Optimized performance with KODAK EKTACOLOR Edge Paper
  • KODAK Color Precision Technology for better skin tones
  • More natural-looking skin tones for improved "people pictures"
  • Scratch-resistant overcoat technology
  • Less negative scratching for fewer print defects
  • Print compatibility
  • Compatibility with all other Kodak films makes photofinishing workflows faster, easier
  • Scan ready
  • High-quality results from digital output systems
  • Great prints for digital zoom and crop
[a] Compared to Kodak 200-speed film.

135 Format Coding Information

DX (NAPM) Number:

82-1

DX or DXN Standard:

DXN

Human Readable Magazine Bar Code:

12 exp.
24 exp.
36 exp.

013131
013133
013134

Film Bar Code Type:

Latent Image Bar Code with Frame Numbers (FNBC)

Edgeprint:

(except Europe, Africa, Mid-east)

(even frames):
(odd frames):
(frame 3):

ROYAL 400-3
400-3 RC KODAK
KODAK FILM

(Europe, Africa, Mid-east)

(even frames):
(odd frames):
(frame 3):

KODAK RC 400-3
400-3 RC KODAK
KODAK FILM

Edgestripes:

Legend:
Frame:

none
none

Darkroom Recommendations

Handle unprocessed film in total darkness. Do not use a safelight.

Process this film in total darkness through the bleach step in Process C-41.

Storage and Handling

Load and unload your camers in subdued light.

Store unexposed film at 21°C (70°F) or lower in the original sealed package. Always store film (exposed or unexposed) in a cool, dry place. Process film as soon as possible after exposure.

Protect negatives from strong light, and store them in a cool, dry place. For more information on storing negatives, see KODAK Publication No. E-30, Storage and Care of KODAK Photographic Materials—Before and After Processing.

Exposure

Film Speed:

Use these speed numbers in the table below with cameras marked for ISO, ASA, or DIN speeds or exposure indexes. Do not change the ISO-speed setting when metering through a filter.

Light Source

KODAK WRATTEN Gelatin Filter

ISO Speed

Daylight

None

400/27[a]

Photolamp (3400 K)

No. 80B

125/22[a]

Tungsten (3200 K)

No. 80A

100/21[a]

[a] For best results without special printing.

Daylight

Use the exposures in the table below for average frontlit subjects from 2 hours after sunrise to 2 hours before sunset.

Lighting Conditions

Shutter Speed (seconds)

Lens Opening

Bright/Hazy Sun on Light Sand or Snow

1/500

f/16

Bright or Hazy Sun (Distinct Shadows)

1/500

f/11[a]

Weak, Hazy Sun (Soft Shadows)

1/500

f/8

Cloudy Bright (No Shadows)

1/500

f/5.6

Heavy Overcast, Open Shade[b]

1/500

f/4

[a] Use f/5.6 for backlit close-up subjects.
[b] Subject shaded from the sun but lighted by a large area of sky.

Existing Light

Subject and Lighting Conditions

Shutter Speed

Lens Opening

Home Interiors at Night

—Average Light

—Bright Light



1/30

1/30



f/2.8

f/2.8

Aerial Fireworks

Bulb[a]

f/4

Interiors with Bright Fluorescent Light

1/60[b]

f/4

Brightly Lighted Street Scenes at Night

1/60

f/2.8

Neon and Other Lighted Signs

1/125

f/2.8

Floodlighted Buildings, Fountains, Monuments

1/60

f/2

Night Football, Soccer, Baseball, Racetracks

1/125

f/2.8

Basketball, Hockey, Bowling

1/125

f/2

Stage Shows

—Average Light

—Bright Light



1/15[a]

1/15[a]



f/2.8

f/2.8

Circuses

—Floodlighted Acts

—Spotlighted Acts



1/125

1/250



f/2.8

f/2.8

Ice Shows

—Floodlighted Acts

—Spotlighted Acts



1/125

1/250



f/2.8

f/2.8

School—Stage and Auditorium

1/30

f/2

[a] Use a tripod or other firm camera support for exposure times longer than 1/30 second.
[b] Use shutter speeds of 1/60 second or longer with fluorescent light.

Electronic Flash

Use the guide numbers in the following table below as starting point for your equipment. Select the unit output closest to the number given by your flash manufacturer. Then find the guide number for feet or metres.

To determine the lens opening, divide the guide number by the flash-to-subject distance. If negatives are consistently too dense (overexposed), use a higher guide number; if they are too thin (underexposed), use a lower number.

Unit Output

(BCPS)[a]

Guide Number

For Distances in Feet/Metres

350

85/26

500

100/30

700

120/36

1000

140/42

1400

170/50

2000

200/60

2800

240/70

4000

280/85

5600

340/105

8000

400/120

[a] BCPS = beam candlepower seconds

Fluorescent and High-Intensity Discharge Lights

Use the color-compensating filters and exposure adjustments in the following tables as starting points to expose this film under fluorescent or high-intensity discharge lamps. For critical applications, make a series of test exposures under your actual conditions.

To avoid the brightness and color variations that occur during a single alternating-current cycle, use exposure times of 1/60 second or longer with fluorescent lamps; with high-intensity discharge lamps, use exposure times of 1/125 second or longer.

Fluorescent Lamp Type

KODAK Color Compensating Filter(s)

Exposure Adjustment

Daylight

40R

+ 2/3 stop

White

20C + 30M

+ 1 stop

Warm White

40B

+ 1 stop

Warm White Deluxe

30B + 30C

+ 1 1/3 stops

Cool White

30M

+ 2/3 stop

Cool White Deluxe

20C + 10M

+ 2/3 stop

Note: When you don't know the type of fluorescent lamps, try a 10C + 20M filter combination and increase exposure by 2/3 stop; color rendition will probably be less than optimum.

High-Intensity Discharge Lamp Source

High Intensity Discharge Lamp Type

KODAK Color Compensating Filter(s)

Exposure Adjustment

High Pressure Sodium Vapor

70B + 50C

+ 3 stops

Metal Halide

10R + 20M

+ 2/3 stop

Mercury Vapor with Phosphor

20R + 20M

+ 2/3 stop

Mercury Vapor w/o Phosphor (clear envelope)

80R

+ 1 2/3 stops

Note: Some primary color filters were used in the tables above to reduce the number of filters and keep the exposure adjustment to a minimum. Red filters were substituted for equivalent filtration in magenta and yellow. Blue filters were substituted for equivalent filtration in cyan and magenta.

Adjustments for Long and Short Exposures

Exposures longer than 10 seconds may require exposure compensation and filtration. For critical applications, may test under your conditions.

Processing

Process KODAK ROYAL GOLD 400 Film in KODAK FLEXICOLOR Chemicals for Process C-41. For more information, see KODAK Publication No. Z-131, Using KODAK FLEXICOLOR Chemicals.

Image Structure

Sharpness:

High

Degree of Enlargement:

High

Print Grain Index

The Print Grain Index number printed in this publication applies to the following standards:

Negative size:

24 x 36 mm

(135 size)

Print Size:

4 x 6 inches

Magnification:

4.4X

Print Grain Index:

39

Judging Negative Exposures

You can check the exposure level with a suitable electronic densitometer equipped with a filter such as a KODAK WRATTEN Gelatin Filter No. 92 or the red filter for Status M densitomerty. Depending on the subject and the light source used for exposure, a normally exposed and processed color negative measured through the red filter should have the approximate densities listed below. Because of the extreme range in skin color, use these red density values for a normally lighted forehead only as a guide. For best results, use a KODAK Gray Card (gray side).

Area Measured

Density Reading

The KODAK Gray Card (gray side) receiving the same illumination as the subject

0.80 to 1.00

The lightest step (darkest in the negative) of a KODAK Paper Gray Scale receiving the same illumination as the subject

1.15 to 1.35

Normally lighted forehead of person with light complexion[2]

1.05 to 1.35

Normally lighted forehead of person with dark complexion[a]

0.90 to 1.20

[a] Because of the extreme range in skin color, use these values only as a guide. For best results, use a KODAK Gray Card (gray side).

Printing Negatives

You can make color prints from negatives by enlarging/printing them on KODAK EKTACOLOR Edge or ROYAL Papers and KODAK PROFESSIONAL DURAFLEX Print Material.

Make color transparencies by printing negatives on KODAK VERICOLOR Print Film, KODAK VERICOLOR Slide Film, or KODAK PROFESSIONAL DURATRANS or KODAK DURACLEAR PROFESSIONAL Display Material.

Make black-and-white prints on KODAK PANALURE SELECT RC Papers for conventional black and white processing, or on KODAK EKTAMAX RA Professional Paper for Process RA-4.

More Information

Kodak has many publications to assist you with information on Kodak products, equipment, and materials.

E-30

Storage and Care of KODAK Photographic Materials—Before and After Processing

E-41

KODAK ROYAL GOLD 100 Film

E-42

KODAK ROYAL GOLD 200 Film

E-44

KODAK ROYAL GOLD 1000 Film

Z-131

Using KODAK FLEXICOLOR Chemicals

Note: The Kodak materials described in this publication for use with KODAK ROYAL GOLD 400 Film are available from dealers who supply Kodak products. You can use other materials, but you may not obtain similar results.

Curves1

These graphs are designed to be printed in landscape mode. They will print properly on most printers in their current page set-up of 100%. However, some printers may require adjustments to the browser page set-up in order to have the graph print on a single 8 1/2 x 11 inch sheet of paper.

Characteristic:

Curve

Spectral Sensitivity

Curve

Spectral Dye Density:

Curve

Note: This publication is subject to change without notice. If you have questions or need assistance, contact your local Kodak representative.

Kodak, Kodak Professional, Gold, Royal Gold, Ektacolor, Flexicolor, Wratten, Duraflex, Vericolor, Duratrans, Duraclear, Ektamax, and Panalure are trademarks.

(Return to Table of Contents)


Footnotes

1 NOTICE: The sensitometric curves and data in this publication represent product tested under the conditions of exposure and processing specified. They are representative of production coatings, and therefore do not apply to a particular box or roll of photographic material. They do not represent standards or specifications that must be met by Eastman Kodak Company. The company reserves the right to change and improve product characteristics at any time.

E-2509  • October, 1999