KODAK MAX Versatility Film / GC
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FEATURES |
BENEFITS |
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Load and unload your camera in subdued light.
Store unexposed film at 21°C (70°F) or lower in the original sealed package. Always store film (exposed or unexposed) in a cool, dry place. Process film as soon as possible after exposure.
Protect negatives from strong light, and store them in a cool, dry place. For more information on storing negatives, see KODAK Publication No. E-30, Storage and Care of KODAK Photographic MaterialsBefore and After Processing.
Use these speed numbers in the table below with cameras or meters marked for ISO, ASA, or DIN speeds or exposure indexes. Do not change the film-speed setting when you use a filter if your camera has through-the-lens metering. For critical work, make a series of test exposures.
Use the exposures in the table below for average frontlit subjects from 2 hours after sunrise to 2 hours before sunset.
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Lighting Conditions |
Shutter Speed (seconds) |
Lens Opening |
|---|---|---|
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Bright/Hazy Sun on Light Sand or Snow |
1/500 |
f/16 |
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Bright or Hazy Sun (Distinct Shadows)[1] |
1/500 |
f/11 |
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Weak, Hazy Sun (Soft Shadows) |
1/500 |
f/8 |
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Cloudy Bright (No Shadows) |
1/500 |
f/5.6 |
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Heavy Overcast, Open Shade[2] |
1/500 |
f/4 |
Use the appropriate guide number in the table below as a starting point for your equipment. Select the unit output closest to the number given by your flash manufacturer. Then find the guide number for feet or metres.
To determine the lens opening, divide the guide number by the flash-to-subject distance. If negatives are too dark (overexposed), use a higher guide number; if they are too light (underexposed), use a lower number.
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Unit Output |
Guide Number |
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Distance in Feet |
Distance in Meters |
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350 |
85 |
26 |
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500 |
100 |
30 |
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700 |
120 |
36 |
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1000 |
140 |
42 |
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1400 |
170 |
50 |
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2000 |
200 |
60 |
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2800 |
240 |
70 |
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4000 |
280 |
85 |
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5600 |
340 |
105 |
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8000 |
400 |
120 |
Automatic Flash Units: Set ISO / ASA selector to 400.
For best results without special printing, use the color-correction filters in the table below as starting points when you expose these films under fluorescent and high-intensity discharge lamps. Use exposure times of 1/60 second or longer to avoid the brightness and color variations that occur during a single alternating-current cycle.
Though this film is tolerant of mixed-lighting situations, for best color results under uniform fluorescent or high-intensity discharge sources, use the exposure and filter recommendations given below. These recommendations are starting points.
Actual filtration may vary between lamps and lamp manufacturers. Depending on the specific source, additional filtration or special printing may be required to achieve best results.
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Type of Fluorescent Lamp |
KODAK Color Compensating Filters |
Exposure Adjustment |
|---|---|---|
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Daylight |
40R |
+ 2/3 stop |
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White |
20C + 30M |
+ 1 stop |
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Warm White |
40B |
+ 1 stop |
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Warm White Deluxe |
30B + 30C |
+ 1 1/3 stops |
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Cool White |
30M |
+ 2/3 stop |
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Cool White Deluxe |
10C + 10M |
+ 2/3 stop |
Note: When you do not know the type of fluorescent lamps, try a 10C + 20M filter combination and increase exposure by 2/3 stop; color rendition may be less than optimum.
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Type of High-Intensity Discharge Lamp |
KODAK Color Compensating Filters |
Exposure Adjustment |
|---|---|---|
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High Pressure Sodium Vapor |
70B + 50C |
+ 3 stops |
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Metal Halide |
10R + 20M |
+ 2/3 stop |
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Mercury Vapor with Phosphor |
20R + 20M |
+ 2/3 stop |
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Mercury Vapor without Phosphor |
80R |
+ 1 2/3 stops |
Note: Some primary color filters were used in the tables above to reduce the number of filters and/or to keep the exposure adjustment to a minimum. Red filters were substituted for equivalent filtration in magenta and yellow. Blue filters were substituted for equivalent filtration in cyan and magenta.
You do not need to make any exposure or filter adjustments for exposure times of 1/10,000 second to 10 seconds. Exposures longer than 10 seconds may require compensation and filtration. For critical applications make tests under your conditions.
Process in KODAK FLEXICOLOR Chemicals for Process C-41.
Information on replenishment rates is available online at www.kodak.com/go/photofinishing.
You can check the exposure level of the color negative with a suitable electronic densitometer equipped with a filter such as the red filter for Status M Densitometry or a KODAK WRATTEN Gelatin Filter No. 92. Depending on the subject and the light source used for exposure, a normally exposed color negative measured through the red filter should have the approximate densities listed below. These densities apply for the recommended light sources and correct processing of the negative.
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Area Measured on the Negative |
Density Reading |
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The KODAK Gray Card[1] (gray side) receiving the same illumination as the subject |
0.85 to 1.05 |
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The lightest step (darkest in the negative) of a KODAK Paper Gray Scale receiving the same illumination as the subject |
1.25 to 1.45 |
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Normally lighted forehead of person with light complexion[2] |
1.15 to 1.45 |
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Normally lighted forehead of person with dark complexion[2] |
0.90 to 1.30 |
This film features similar printing characteristics to other KODAK MAX and KODAK GOLD Films.
This film is optimized for printing on KODAK EKTACOLOR Edge 8 and ROYAL VIII Papers. It can also be printed on KODAK PROFESSIONAL DURAFLEX® Print Materials.
Make color slides and transparencies by printing the negatives on KODAK VERICOLOR Slide Film, KODAK VERICOLOR Print Film or on KODAK PROFESSIONAL DURATRANS® Display Material, or KODAK PROFESSIONAL DURACLEAR Display Material.
You can scan an image to a file and print digitally to KODAK PROFESSIONAL Digital III Color Paper, KODAK PROFESSIONAL DURATRANS® Plus Digital Display Material, KODAK PROFESSIONAL DURACLEAR Plus Digital Display Material, and KODAK PROFESSIONAL DURAFLEX® Digital Print Material.
Make black-and-white prints on KODAK PANALURE SELECT RC Papers for conventional black-and-white processing, or on KODAK PROFESSIONAL PORTRA Black & White Paper for Process RA-4.
Starting recommendations for KODAK EKTACOLOR Edge 8 Paper are available online at www.kodak.com/go/photofinishing.
Negatives on this film can be retouched on the emulsion side with retouching pencils, after applying a retouching fluid, such as KODAK Retouching Fluid.
The Print Grain Index number refers to a method of defining graininess in a print made with diffuse-printing illumination. It replaces rms granularity and has a different scale which cannot be compared to rms granularity.
The Print Grain Index numbers listed in this publication apply to the following standards:
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Negative Size: |
24 x 36 mm |
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Print Size: |
4 x 6 inches |
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Magnification: |
4.4X |
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Print Grain Index: |
48 |
These graphs are designed to be printed in landscape mode. They will print properly on most printers in their current page set-up of 100%. However, some printers may require adjustments to the browser page set-up in order to have the graph print on a single 8 1/2 x 11 inch sheet of paper.
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Daylight; Process C-41, Status M Densitometry; Log H Ref is -1.44 |
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Effective Exposure 1/100 sec; Daylight; Status M Densitometry; 0.2 > D-min |
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Typical Densities for D-min and Midscale Neutral Subject |
Note: If you have questions or need assistance, contact your local Kodak representative.
Note: The contents of this publication are subject to change without notice.
Kodak, Duraclear, Duraflex, Duratrans, Ektacolor, Ektamax, Flexicolor, Gold, Max, Panalure, Royal, Select, Kodak Professional, Wratten, and Vericolor are trademarks.
NOTICE: The data in this publication represent product tested under the conditions of exposure and processing specified. They are representative of production coatings, and therefore do not apply to a particular box or roll of photographic material. They do not represent standards or specifications that must be met by Eastman Kodak Company. The company reserves the right to change and improve product characteristics at any time.
E2330 Revised 6-01