KODAK EKTACHROME ELITE II 50 Film

Exposure


Use the exposure index numbers in the table below with cameras or meters marked for ISO or ASA speeds. Do not change the film-speed setting when metering through a filter. Metering through filters may affect light meter accuracy; see your meter or camera manual for specific information. For critical work, make a series of test exposures.

Light SourceKODAK WRATTEN
Gelatin Filter*
ISO Speed
Daylight or
Electronic Flash
None 50
Photolamp (3400 K) No. 80B 16
Tungsten (3200 K) No. 80A 12
*For best results without special printing.

Daylight

Use the exposures in the table below for average frontlighted subjects from 2 hours after sunrise to 2 hours before sunset.

Lighting ConditionsShutter
Speed
(seconds)
Lens
Opening
Bright or Hazy Sun on
Light Sand or Snow
1/125 f/16
Bright or Hazy Sun (Distinct Shadows) 1/125f/11*
Weak, Hazy Sun (Soft Shadows) 1/125f/8
Cloudy Bright (No Shadows) 1/125f/5.6
Heavy Overcast or Open Shade** 1/125f/4
*Use f/5.6 for backlighted close-up subjects.
**Subject shaded from the sun but lighted by a large area of clear sky.

Electronic Flash

Use the appropriate guide number in the following table as a starting point for your equipment. Select the unit output closest to the number given by your flash manufacturer. Then find the guide number for feet or metres. To determine the lens opening, divide the guide number by the flash-to-subject distance. If slides are consistently too thin (overexposed), use a higher guide number; if they are too dense (underexposed), use a lower number.

Guide Number
Unit Output
(BCPS)*
For Distances
in Feet
For Distances
in Metres
350
309
500
3511
700
4012
1000
5015
1400
6018
2000
7021
2800
8526
4000
10030
5600
12036
8000
14042
*BCPS = beam candlepower seconds

Fluorescent and High-Intensity Discharge Lamps

Use the color-compensating filters and exposure adjustments in the tables below as starting points to expose this film under fluorescent or high-intensity discharge lamps. For critical applications, make a series of test exposures under your actual conditions.

To avoid the brightness and color variations that occur during a single alternating-current cycle, use exposure times of 1/60 second or longer with fluorescent lamps; with high-intensity discharge lamps, use exposure times of 1/125 second or longer.

Type of
Fluorescent Lamp
KODAK Color
Compensating Filters
Exposure Adjustment
Daylight50R+1 stop
White40M+2/3 stop
Warm White20C + 40M+1 stop
Warm White Deluxe30B + 30C +1 1/3 stops
Cool White40M + 10Y+1 stop
Cool White Deluxe20C + 10M +2/3 stop

Note: When you don't know the type of fluorescent lamps, try a 30M filter and increase exposure by 2/3 stop; color rendition will probably be less than optimum.

Type of
High-Intensity
Discharge Lamp
KODAK Color
Compensating Filters
Exposure Adjustment
General Electric
Lucalox*
80B + 20C +2 1/3 stops
General Electric
Multi-Vapor
20R + 20M +2/3 stop
Deluxe White
Mercury
30R + 30M + 1 1/3 stops
Clear Mercury70R+ 1 1/3 stops
*This is a high-pressure sodium-vapor lamp. The information in the table may
not apply to other manufacturers' high-pressure sodium-vapor lamps because
of differences in spectral characteristics.

Note: Consult the manufacturer of high-intensity lamps for ozone ventilation requirements and safety information on ultraviolet radiation.

Some primary color filters were used in the previous tables to reduce the number of filters and keep the exposure adjustment to a minimum. Red filters were substituted for equivalent filtration in magenta and yellow. Blue filters were substituted for equivalent filtration in cyan and magenta.

Adjustments for Long and Short Exposures

No filter correction or exposure compensation is required for exposures from 1/10,000 to 10 seconds.

Note: This information applies only when the film is exposed to daylight. The data are based on average emulsions rounded to the nearest 1/3 stop and assume normal, recommended processing. Use the data only as a guide. For critical applications, make tests under your conditions.

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