Multi-disciplinary Instructional Photography
Marianne Tierney
Our Lady of Grace School, Pittsburgh, Pennsylvania
Subject: Special Education
Grade: K-8
"We learned to use our 'mind's eye' in many subjects to develop
imagery and thinking skills. We developed a greater appreciation
for pictures, not only for their information but also for their
feelings."
Purpose and Description of Project
Marianne Tierney, a teacher with the Multi-disciplinary Instruction
Program (MIP) for underachieving students in nonpublic schools
in the Allegheny area, developed creative ways to use photography
to help students with learning difficulties gain academic and
photographic skills. She intended to enrich her instructional
activities beyond "most remedial programs [that] hardly tap
such rich resourcefulness inherent in children who struggle with
bare facts in school." As a means of achieving this goal,
she organized an after-school photography club at one of the schools
she regularly traveled to by van where she worked with students
who were "near borderline and exhibited many characteristics
of Learning Disabled populations." Her Multi-disciplinary
Instructional Photography was offered to students who were interested
in photography, who could attend weekly meetings, and who were
caught up with their school work and wanted to do a few outside
projects. After brief interviews, 30 students ("regular"
students as well as Tierney's) were chosen to participate.
Activities
The club's activities were numerous and varied, but generally
fell into three categories: (1)
learning technical aspects of photography,
light, and
film;
(2) completing major projects such
as biographical sketches of teachers, sequence activities, and
language arts projects; and (3) spin-off projects on, for example,
writing bibliographies, creating teaching tools, and developing
a slide presentation on the MIP van and its program.
At their meetings, students shared their favorite recent photos,
demonstrated how to operate their
cameras,
brought written resources
for discussion, and received technical instruction in photography,
while carrying out their projects independently. They photographed
numerous school activities and a few even worked with the yearbook
staff. The central focus of the individual activities was to let
the students "explore creative ideas even if they did not
seem totally functional."
Materials, Resources, and Expenses
The school's teachers contributed ideas and offered to be interviewed
for the biographical sketch projects. The school library provided
references, as well as a meeting area for the club, and the school
loaned the slide projector for the MIP presentation. The club
worked with many camera owned by the school. Students
provided film and developed their own photos for about the first
four weeks. This taught them to shoot conservatively when they
realized the expense involved. By the end of four weeks Tierney
knew who was seriously interested in the club and purchased film
accordingly. Students helped plan an even distribution of the
film and developing services.
Outcomes and Adaptability
Evaluation of the students' efforts took place at the weekly meetings
and Tierney noted that the products demonstrated their "'photographic
eye,' a sense of judgment, and the ability to recognize and replicate
characteristics." Tierney was most pleased that students
began to realize that subjects and learnings overlap, that one
subject does not stop before another one can start. As time went
on, students left the club to participate in other school activities.
Of the original number, "12 remained true troopers,"
and Tierney was surprised to find that most of these were "her"
special students. They took great pride in seeing their work displayed
and used around the school. While they were working to achieve
goals related to understanding photography, taking good quality
photos, and producing exhibits, portraits, slide shows, and visual
aids, they uncovered skills and confidence they didn't know they
had.