KODAK ProfessionalE100 Films

Looking for the best choice?

When buying film, photographers have always been forced to make a choice: "Do I want vivid colors? Or Natural skin tones?" Now there are two films for anyone who's felt the urge to yell, "Both, #@**6! I want both!" KODAK EKTACHROME ProfessionalE100S and E100SW Films offer vivid colors and truly natural skin tones - without sacrificing neutrals. They're great for strobe, natural light, or mixed light sources. And, thanks to KODAK T-GRAIN Emulsion, both films give you exceptionally sharp images.

They have also improved push-processing capability. So, if you need to adjust density, gain film speed or just "get that look," you're all set. So let's review: Vivid colors. Natural skin tones. Fine grain. Excellent pushability. Two films that, we hope, will leave your mind to ponder less maddening questions.
Like, "How many rolls of this film do I need"?

KODAK ProfessionalE100S Film

Vibrant colors. Excellent skin tones. Great push. And that's just for starters.

KODAK EKTACHROME ProfessionalE100S Film gives you skin tones that are realistic, enhanced in saturation (remember? "S" for Saturated), and pleasing in hue and contrast. Your chromes will show excellent neutrals throughout the entire exposure range, from shadows to highlights.

KODAK EKTACHROME ProfessionalE100S Film is nothing if not versatile. Its 100 speed makes it easy to use with flash or in variety of outdoor lighting conditions.

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KODAK ProfessionalE100SW Film

Looking for the perfect film? You're getting warmer!

KODAK EKTACHROME ProfessionalE100SW Film is ideal for photographers who prefer a warmer rendition. It's great for a variety of applications, both inside and outside the studio. And, like E100S Film, it gives you extremely vivid colors while preserving skin tones.

The warm color balance of E100SW Film makes it great for any application where the lighting is unpredictable. So you can shoot with confidence even when you've got gray, overcast conditions on location or at a sporting event. And when the lighting is low or the action is fast, you can gain extra film speed by push processing - with virtually no change in color balance. So there is less chance of great shots getting away.

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