"You Can't Catch Me!"-Introducing Young Children
to the School Setting
Shirley F. Wyatt
Mansfield Township School, Port Murray, New Jersey
Subject: Language Arts
Grade: Kindergarten
"To the five-year-old, the bridge from home to school is
not one easily traveled."
Purpose and Description of Project
School can be a strange and frightening place for the new kindergartner,
but Shirley Wyatt's project uses photography to help bridge the
home/school gap and familiarize children with school personnel
and operations. And she begins this effort before the youngsters
even set foot in "this big, wonderful, new, but awesome, place" called school.
A week prior to the opening of school, Wyatt writes a personal
letter to each student, asking him or her to "draw me a picture
of you" so that "on the first day of school I will know
who you are." Receiving and responding to the letter gives
parents and child a stimulus for discussing what the child can
expect at school, and on opening day, the children are greeted
by their own artwork on the class bulletin board. However, that's
just the beginning.
The second phase of the project concentrates on having the children
meet and get to know the professional and support personnel at
the school, including office workers, bus drivers, custodian,
cafeteria workers, and others. The focus for these introductions
is an adventure during which the children prepare a gingerbread
figure, find that it has disappeared, follow clues around the
school, and eventually recapture the elusive treat.
Finally, Wyatt adds an extra magic touch to the children's experience
by re-creating their prospective first-grade teachers' poses and
taking more photographs-but this time with a gingerbread figure
somewhere in the background. Then she posts these photos and waits
for youngsters to make their miraculous discoveries.
The teacher finds that this three-pronged use of photography helps
her students more quickly become comfortable at school, develop
a good self-image, learn sequencing of activities, and practice
visual discrimination. In addition, they learn about the physical
layout of the school, get to know school personnel and understand
their roles, and come to appreciate the uses of photographs to
record events.
But, most important, concludes Wyatt, the project helps children
come to view school as a place "where something wonderful
will happen."
Activities
Activities in this project fall into three phases:
- Phase I-Children receive letter from Wyatt and return a drawing
of themselves in the self-addressed, stamped envelopes she provides.
These drawings are displayed on the bulletin board on the first
day of school.
- The class discusses the drawings, and the teacher takes instant
photos of each child to add to the display. The next day, she
takes a class photo and the class discusses the sequence of events
that led to the class picture. The children act as models for
creation of a photo essay about what has happened.
- Phase II-Teacher and students prepare gingerbread batter and
cut out a large cookie. They take it to the kitchen and meet the
cook, who is to bake it. Since the cookie will not be ready until
the next day, the teacher ends the activity by reading the story
of the "The Gingerbread Man," which is designed to produce
speculation that the children's cookie, like the figure in the
story, might be a runaway.
- When the class returns to the kitchen, the cookie is indeed
missing. A batter-smudged note directs the children to the school
nurse. While they are searching her office, they learn about her
equipment and how she helps children. For several days, they visit
other school "helpers" and continue to take photos and
be photographed by the teacher. The clues that carry the children
on their search and the photographs are added to the bulletin
board.
- At last, the cookie is found in the main office, bulletin
board photos are used to review the sequence of activities, and
the children write a thank-you letter to the school staff and
display it in the lobby. They also draw five-foot high figures
of the school staff members, using the photos they have taken
to review body parts, names, special clothing, etc., and display
these likenesses in the classroom.
- An open house concludes Phase II, and parents are invited
to take home the child's initial drawing of himself or herself,
along with the first instant photo of the child taken by the teacher.
- Phase III-In preparation for an orientation visit to first
grade, the children discuss their disappearing/reappearing gingerbread
figure, bake gingerbread cookies for the prospective kindergartners
who will be visiting their classroom, and decorate paper gingerbread
figures for the bulletin board. They also practice using individual
non-instant cameras.
- The children visit the classrooms and teachers they will have
in the first grade and photograph the teachers. At the same time,
preschoolers are visiting the kindergarten room, receiving their
orientation, and receiving their snacks and gifts.
- Later, Wyatt re-poses the first-grade teachers with a gingerbread
figure somewhere in the background. While these photos are being
developed, the children review their orientation experiences,
and "'recycle" some of their activities by meeting with
and photographing such people as their music-teacher-to-be and
the school cooks, who teach them cafeteria procedures.
- Finally, the "doctored" photos come back and are
posted. The children, who Wyatt says are still "seeing imaginary
footprints and smelling bogus aromas" of the gingerbread
figures who mysteriously appeared in their photos, get a photo
as a keepsake.
Materials, Resources, and Expenses
School personnel were essential resources for this project, according
to Wyatt. Among those who participated were the cafeteria staff,
custodian, school secretaries, bus driver, school nurse, administrators,
and librarian.
Cameras used were Kodak cameras that she borrowed.
Eight 10-print packs of instant film
were used, and five rolls of TX-120 film. Other materials were
stamps, paper, envelopes, gingerbread mix and mold, utensils for
batter, chart paper, markers, stickers, crayons, construction
paper, and Kraft paper.
Outcomes and Adaptability
Wyatt finds that the children get so involved in their photo-recorded
adventures that the "jitters of starting school are left
far behind." They also gain a spirit of togetherness and
are exposed to the magic of photography. Because the school is
located in an area with a highly transient population, Wyatt believes
that it is especially important that her students gain a feeling
of instant acceptance and quickly learn school survival skills.
The photographs that are taken throughout the project help confirm
the children's concept of self, notes the teacher, and the youngsters
develop a positive image of school because they quickly get familiar
with their physical environment and the people they can turn to
for help. They also learn teamwork and to discard their own fears
in their concern about their lost comrade-the gingerbread man.
Wyatt also finds that the children display an immediate willingness
to go outside their own classroom and to interact with new people.
The continuing thematic involvement of the gingerbread figure
and the use of photography help the children with recall and sequencing
activities. And perhaps most important, the children develop a
level of self-confidence that makes them eager to proceed to first
grade.
The teacher notes that others can use this unit in whole or part
since it breaks neatly into three activity blocks. It could be
expanded to include not just school but community "helpers."
Teacher and students could also take part in the photo processing
and printing if darkroom facilities were available at the school.
And, of course, other teachers could focus on other themes.