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The lobby of Cinecolor do Brasil |
"The bottom line for ensuring high-quality images for motion
pictures destined for cinema or broadcast distribution begins
with accurate, quality-controlled processing of the film negative,"
says David Trejo, general director of Cinecolor do Brasil and
Megacolor in Sao Paulo, Brazil. "We have achieved that goal at
both of our laboratories."
Cinecolor do Brasil and Megacolor have both earned
accreditation by the KODAK IMAGECARE Program for negative
processing. This assessment is designed to assure filmmakers
that these laboratories consistently adhere to the highest-quality
standards for film processing. They are the first facilities in the
country to earn IMAGECARE Program certification.
"By following KODAK IMAGECARE Program guidelines, we
have improved our documentation processes to complement our
own operating standards, which include using the most modern
equipment available," says Trejo. "The IMAGECARE Program
provides the industry with superior standards of quality that
have raised the bar on laboratory services around the world. Our
customers are enjoying the benefits."
Cinecolor do Brasil was founded in 1985. The lab offers 35mm
and 16mm processing, optical sound transfer and various related
services. The lab boasts modern equipment, advanced chemical
processes, and environmental control systems. Megacolor
was established in 2000. The facility offers 35mm and 16mm
front-end lab services, optical special effects, blow-ups,
and telecine. Both facilities feature innovative 'clean room'
procedures, which eliminate particles that float in the air.
The two labs are owned by Chilefilms, which also operates
facilities in Chile, Mexico, and Argentina, the latter of which was
also recently accredited for negative film processing. A fifth lab is
currently under construction in Colombia.
Kodak designed the IMAGECARE Program to support film lab
operations and personnel who execute procedures that ensure excellence in film processing. Membership now extends to 43
film labs in 26 countries since the program was initiated in 1996,
and continues to grow year after year.
"Our goal is to assist laboratories around the world in
optimizing their operations," says Wendy Elms, worldwide
manager of the KODAK IMAGECARE Program. "Filmmakers can
confidently choose accredited labs knowing they are receiving
reliable, consistent services as stipulated by the Program's
guidelines."
Trejo observes, "Our reputation can only improve in the
local and international markets. Our clients consider us one of
the most modern labs in the country with a respected staff of
professionals. Our 'clean room' system has differentiated us
in the industry. Being a member of the KODAK IMAGECARE
Program supports our ongoing commitment to providing the
highest quality services. All these factors contribute to our
success and make us a better company. We are thankful to
Kodak for their support of the industry and commitment to
quality."
For more information on Chilefilms, visit www.chilefilms.cl.
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