"I believe good cinematography sets a mood that is right for the story. Cinematography is the visual score, and should support the film without being too noticeable. Sometimes I'm tempted to go for the prettiest or most exciting shot, but that's not always the best choice. Soft, sculpted light might be flattering to someone's close-up, but a hot, top light smashing down may actually be more appropriate. You have to trust your instincts and set a tone for the story in a coherent way. For me, a big part of cinematography is collaboration. Working with the director, actors and crew is the best part of the process, with everyone focused on the same goal - to make something good, something that matters, and that hopefully affects people in a way they will always remember."

Michael Bonvillain earned an Emmy® and a second nomination for his work on Alias, as well as two Outstanding Achievement Award nominations from the American Society of Cinematographers. His other credits include the television series Profiler and Felicity, and such independent features as From Dusk Till Dawn 3, The Last Marshal, Saints and Sinners, The Desperate Trail, Amongst Friends, When the Bough Breaks and A Texas Funeral.

Question & Answer Session