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Women photographers
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That’s my favorite quote from the National Geographic Society’s new book, Women Photographers at National Geographic (National Geographic Books, ISBN 0-7922-7689, $40). An unidentified male photographer (good thing for him!) at National Geographicmagazine made that statement—a photographer whom, I feel, just might be green with envy when he sees one of the most beautiful and awe-inspiring books ever produced by the Society.

The book is not short. Its 272 pages are filled with 144 rich color and mood-setting black and white pictures—such as Joanna Pinneo’s picture of Black Panther militants waving guns and the outlawed Palestine flag on a rooftop in the West Bank, Jodi Cobb’s soft picture of New York Times Square at night, Dickey Chapelle’s picture of children in a South Vietnam village, holding their ears against the roar of mortar fire, and Pinneo's picture of the "running of the bulls" in Pamplona, Spain.

Unladylike indeed! Written by National Geographic senior staff writer Cathy Newman, the book charts four generations of women photographers. One of my favorite accounts is that of Dorothy Hosmer, whose pictures documented her 1937 bicycle tour through Romania—pictures that almost went unpublished because a male editor thought they were very unladylike!

Another perspective. The book's foreword is written by Tipper Gore—herself a published photographer—who has come to understand the challenges faced by any photographer who seeks to capture the human experience in her hard work. She writes, "Rarely are photographers as subjects, and often little is known about them. This book allows the reader to peer into the lives of women behind the camera. Photographs taken by women have a unique perspective on human interaction." Mrs. Gore continues, "What is revealed through their feminine eye is an artful unveiling of the spirit and a deeper understanding of the human experience."

Why a book devoted entirely to women photographers? Nina Hoffman, President of National Geographic Books, who personally led the campaign for the book explains: "National Geographic Books published Women Photographers at National Geographic as a celebration of the Society’s reliance on and little known history of women photographers and their contribution to the general knowledge of the world. When I joined the Geographic, I was not aware of our female photographers' formidable contribution to our rich photographic heritage, and it truly is a history to be celebrated."

Smiles and tears. Take a look through this magnificent work, and you’ll get an insight on human conditions around the world. Some of the pictures will bring a smile to your face, like Annie Griffiths Belt’s picture of a stolen kiss between an off-duty Israeli soldier and his girlfriend. Others will bring a tear to your eye, like Lynn Johnson's picture of a young Nigerian girl suffering from malnutrition in the arms of her mother. On that note, Karen Kasmauski says, "While photographing the suffering of mothers and children with AIDS in Uganda, I wept every day." All the pictures in Women Photographers at National Geographic will make you stop and think—as a photographer and as a person. An exhibition featuring some of the photographers' finest work is on display at the Newseum / NY in New York City until January 27, 2001.


Cover photo by Joanna B. Pinneo. Blanketed by sand, family members nap in the mid-afternoon, Mali.

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cobb.gifJodi Cobb

"Photography can change people’s ideas, can change their minds, can change their actions. I guess that’s one of the things that keeps us getting up in the morning and going out with our cameras. I never had the luxury of taking a chance that could result in failure. I had to play it safe in so many ways. I had to do a lot of jobs that didn’t interest me just to prove I could do the stuff that guys did."
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Anne Griffiths Belt
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"You come to the office and insist you want to be treated like a photographer, not as a woman, and then you go home and you are a woman and a mother and have to do all those things that go with it."
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stenzel.gifMaria Stenzel

"I like the idea of distance. I like being alone on an icebreaker in a sea of ice the size of Europe or driving across the Arctic tundra on a sled pulled by reindeer."
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brimberg.gifSisse Bimberg

After lugging six cases of lighting equipment into a museum in preparation for shooting artifacts, I was asked, "So when is your photographer arriving?" "She has arrived," was, and is, my stock answer.




Karen Kasmauski talks about how important it is to gain the trust of your subjects. "All photography is more or less voyeuristic; street photography is more so. I'm not at ease doing street shooting. As a single woman, particularly in a foreign country, I feel I'm too noticeable, too vulnerable. Street shooting just grates too much against my personality. It feels like I'm barging in. That's why I spend time with a family, gaining their trust before I begin shooting."