"There really aren't any set rules about what kind of lighting is or is not appropriate for a period film. Of course, you will see more color in the scenes with Rose and in the first-class section of the ship, if only in the costumes. That's a natural effect which is dictated by the story. "The photographic style was simple, in that I didn't use elaborate filtering systems or other techniques. Because there might be 12 or 13 cameras rolling at the same time, I decided to use a very simple filter pack. For most of the movie it was just a Tiffen White ProMist. That way, the actors, costumes and scenery would be telling the period story, as opposed to something I was doing with the lens." -- Russell Carpenter, ASC